to teach a complete beginner from a bell-down position rather than a bell-up position. I now believe this is how people in my situation should have been taught in the first place — Corinne Orde
The best way to work on problems with hand transfer is with a static rope, starting slowly and gradually speedily up, before doing it with a moving rope.My bad habit was there from the outset and we tried everything we could to stop it, with all manner of exercises using dummy tail ends etc and daily individual lessons for weeks on end — Corinne Orde
You can’t expect to learn if you are terrified. Helping you to feel comfortable with what you are doing is a key part of the teaching process.His teaching was fine — it was more a case of me being so terrified of the quickly moving rope — Corinne Orde
it took me nearly three years to eradicate that common “waving right hand” fault that many new ringers have. — Corinne Orde
Yes, once some people feel they are no longer "raw learners" it becomes almost impossible to get them to work on it — John de Overa
I would be surprised if there were 'lots' who do that for ringers other than 'learners' or in special situations where a band has agreed to work together to improve. I am sure there are many supportive towers but I would be surprised if many offer those past being 'learners' much more than 'encouragement' and basic advice on how to ring CCs or methods rather than performance technique.there are lots of towers (including many in Kent I expect) who are always encouraging listening and learning and discussion about the tweaks which can lead to improvements — Lucy Chandhial
If a person cant ring and strike their bell changing at one stroke how the hell are they going to be able to control and manage a bell changing at both strokes. — Robert Brown
Every teacher has a slightly different approach, some things work well for one person but not another — John de Overa
I’m confused! — Lucy Chandhial
The assumption that only a tiny majority of older ringers want to ring methods — John de Overa
Yes, I’m sure that is very true. And not just for moving on to advanced methods. Right at the start lots of explanation is missed out.too much concentration on "You are learning Method X" rather than "You are learning how to learn and ring methods" — John de Overa
Even if people like that are in a minority, their existence is a sign of failure. — John de Overa
I don't see anything in there that requires being a teenager? — John de Overa
Very few I suspect. For most I think it's more likely a combination of not being given the vision of what ringing could be, not being taught and developed well enough to get to the point where they could realise it for themselves, and absorbing the culture of the band into which they were recruited.What proportion of them are doing that because they've been repeatedly told that's all they are good for and have restricted their horizons accordingly? — John de Overa
I don't think that's true. By 'doing it' I didn't just mean experienced ringers who ring by themselves, I meant the activists who as well as doing a lot of ringing also do teaching and development of other ringers, but do so 'in the present'.Except that's not preserving anything, it's choosing to let the heritage die out with them. — John de Overa
Our community of practice is numerically dominated by people whose interest is less in the art of ringing and more on doing somethinmg for their church on Sunday morning. And among those who are focused on the art of ringiing, many just want to get on with 'doing', so their view of preserving the heritage would be to ensure that others like them can carry on 'doing'.Our ’community of practice' probably has a very narrow view of our heritage. How far do we go back? — Roger Booth
What's embedded is the result - the soundscape - but the culture that creates it is not. That's the problem. We do need to celebrate it more, and do so public;y if we want to turn ringing from a shrinking niche activity into a sustaibable mainstream one.We are the custodians of a very rich intangible heritage, firmly embedded in aspects of British culture and the historic soundscape, with wide public appeal. We need to celebrate that far more than we do. — Roger Booth
That's not what the guidance says. It refers to 'communities of practice'. The wording is:On the subject of community support I read that as the wider community, so for example statements of support from various church and conservation bodies, and even statements from local communicties in support of 'their' bells. — Tina
That's a good point. Maybe I down played the value of handbell tune ringing.In my opinion living heritage includes all three forms of ringing — Roger Booth
coordinate the application for full circle change ringing — Lucy Chandhial
to accept that the collective decision of my band is to stick with ringing at a low level, — Barbara Le Gallez
the church we are attached to has had to accept - that too few people are interested in coming there to practise religion for that to be a viable option. Instead, they are looking at turning the church into a community asset. — Barbara Le Gallez
