some handbell ringers learn new methods by their place notation and can translate that into a blue line in real time — Rosalind Martin
You ring plain hunt with two [extra] rules: hunt below an even place and dodge above; hunt above an odd place, dodge below — Graham John
Yes, I agree with that ... with a few extra thoughts:
For me, it's not a
translation to a handbell-blueline as such: it's to a
combined pattern of my two bells. So for example
CambridgeSMinor in tower has five placebells to remember 2,6,3*,4,5 (two and a half if you turn them upsidedown around the 3* symmetry) and if you can do the Bobs, that's the same with a plain course or a touch: in hand there are ten different lead-patterns: 34,45,25*,26,36; 56,23,46*,35,24 it's still (a symmetric) five-leads in a plain course but there are two sets, and bobs ae likely to take a pair-of-bells from one set to t'other.
Graham's advice works with Forward methods: those which plainhunt (placenotation X) between every backstroke to handstoke: then the places to learn/remember are all from hand-to-back. In
CambridgeSMinor the sequence goes: 3,4,2,3,4,5*,4,3,2,4,3,2* where the *are respectively the halflead and the leadend changes.
YorkshireSMajor also has a straightforward sequence: 3,4,5,6,2,3,4,7*...,2 where the ... is the first-half-lead sequence reversed. In Major there are three sequences of seven-leads to work out: 34,48,58,25*,26,67,37; 56,27,36,47*,38,45,28; 78,35,24,68*,57,23,46. In tower
CambridgeSMajor is different and maybe more complicated: in hand there are the same seven-lead sequences in the same order, but within every halflead there is the extra complexity of a 1258 change where four bells lie still and four alter position. In the second half of the first lead the 56-pair finds itself making both second's place and fifth's place concurrently: that feels very unusual.
All of this is covered well in TinaStoecklin/SimonGay's books
here.