Graham John
Ian Sterritt
John Harrison
Ian Sterritt
Ian Sterritt
John Harrison
Ian Sterritt
Graham John
↪Ian Sterritt That's the same link you posted a couple of weeks ago. Did you mean to post a different one? — John Harrison
Ian Sterritt
Ian Sterritt
Ian Sterritt
Clive Thrower
John Harrison
Ian Sterritt
Ian Sterritt
John de Overa
Lucy Chandhial
John de Overa
Presumably it makes sense to have one organised entry than multiple similar but different entries for bellringing? — Lucy Chandhial
John Harrison
coordinate the application for full circle change ringing — Lucy Chandhial
John de Overa
So change ringing in hand isn’t cultural heritage? — John Harrison
John Harrison
Tina
John de Overa
Community consent is the process of getting agreement or approval of your community of practice on the decision to submit an element to the inventories.
'Prior’ means that consent was given before the living heritage was submitted to the inventories.
How do I gather community consent? / What do we need to include to demonstrate consent?
The process for gaining consent from the community of practice will vary and will be informed by the community’s customary decision-making processes. It could include (but is not limited to) a vote of hands at a meeting, an online poll, an exchange of emails or a collection of signatures, but we are not setting specific requirements and would ask that you demonstrate consent in the way that is best suited to your community of practice.
We will keep the call for submission period open for around four months. We tried to find the balance between giving people enough time to write a submission and get community consent and not making the process too long.
John Harrison
John de Overa
Roger Booth
That's an interesting question, should they be registered together or separately? What about in-hand ringing that is tunes rather than changes? — John de Overa
John Harrison
That's a good point. Maybe I down played the value of handbell tune ringing.In my opinion living heritage includes all three forms of ringing — Roger Booth
Ian Sterritt
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